There are also digital models of legendary analog guitar effect pedals. Real Distortion effects are based on digital models of classic guitar amplifiers from the 1960′s and 1970′s. New algorithms take a greater number of factors into account, producing smoother, more natural reverbs. Real Reverb is an improved version of the Reverb technology found in previous versions of the Tyros.
These also include VCM effects that use the same technology as the professional-level processing on Yamaha’s high-end mixers. Not only does the Tyros5 have new and high-quality effect types, including Real Distortion and Real Reverb, it provides beautifully designed panel displays, with highly intuitive controls – just like actual effect devices. Audio Styles also benefit from Yamaha’s Time Stretch Technology, which allows the audio to follow your tempo changes without changing pitch, so everything stays in perfect sync.Įnhanced DSPs for authentic effects that give you “that” sound With features such as a comprehensive set of realistic organ-style controls, adjustable effects, and intuitive operation that allows you to alter the sound in real time while you play, Organ World is sure to meet the demands of the most demanding performer.Īdd Rhythm to your performances with Audio StylesĪdding forty new percussion-based Styles to the Tyros5’s impressive backing and accompaniment capabilities, Audio Styles add natural feel, ambience, and warmth to drum and percussion parts, offering greater expressive potential. The Tyros5 features Vintage, Home, Euro, Concert, and Theatre organ Voices, all superbly reproduced with stunning samples that allow the Tyros5 to shine in any situation that an organist might encounter.
This provides an authentic sound that sounds as if a group of actual performers were playing, and allows you to enjoy playing like an instrumental quartet with ease.
Ensemble Voice is an amazing function that utilizes parameters which « humanize » the performance to reproduce the subtle variations in timing heard in a real ensemble.
0 kommentar(er)
